Over the last five years contemporary Ethiopian artists have been making a name for themselves on the global art market, but it’s been a long time coming.
LONDON — There is nothing quite like the buzz of a big, glamorous international art fair.
For larger, more well-established galleries with big-name artists on their rosters, there is a nonchalant air to their booths — they know the drill. But for galleries that are showing for the first time, it can be a nerve-racking experience that can feel like an enormous gamble in terms of expense, but also a huge opportunity in exposure. Read more
LONDON–South African artist Mary Sibande’s avatar Sophie — a human-scale sculpture modeled on herself — was born during her final year at the University of Johannesburg fine arts degree. Sibande, whose older female relatives had been domestic workers, was assigned by one of her professors to tell a story through her artwork. “I remember talking to my supervisor and saying, ‘I want to play detective and investigate why these women in my family were all domestic workers.’ I wanted to pay homage to them,” said Sibande.
Over the last three decades, Aaron and Barbara Levine have amassed an impressive melange of conceptual and minimalist art. But, they jokingly say, they loathe calling it a “collection.”
“When you get the word ‘collection,’ it seems limited, like ‘I only collect minimalism’ or ‘I cannot look at anything beyond the parameters of my focus,'” said Barbara, who served on the board of Washington, D.C’s Hirshhorn Museum for over a decade. “And we don’t — we are all over the place.” Read more