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International New York Times: Helping Curators Find Their Footing

DAKAR, SENEGAL — Over a lunch of Asian noodles in the sunny back garden of Raw Material Company, an independent art space in Dakar, curators from around the world were talking recently of the obstacles they faced to pursuing their chosen profession in their home countries. Read more

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New York Times: Art Reoriented, a Curator Duo, in High Demand

LONDON — Art Reoriented was running late for brunch. Sam Bardaouil and Till Fellrath, the two curators who practice under that name for a growing list of top-flight museums, artists and art fairs, were in London for only a few days. After meetings and exhibitions, they were off to Munich, one of their two home bases (the other is New York), to unpack and repack. Then it was off to Australia, where they were advising the Biennale of Sydney. Read more

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New York Times: A Polish Collector’s Passion for Art and Dance

POZNAN, POLAND — The reception area of Grazyna Kulczyk’s private office looks a bit bare because many items have already been packed away. But the view is intact: the rooftops of Poznan, a city of brick buildings in west-central Poland. “It is a lovely view,” she said, smiling and looking out over the green park. Read more

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New York Times: Arts Center in Ethiopia Links Local and Global

ADDIS ABABA, ETHIOPIA — Outside the walls of the Zoma Contemporary Art Center, the distinct chaotic clatter of Addis Ababa — goats bleating at a nearby market, cars kicking up dust on the dirt road — fills the air. Yet inside the compound that houses the center is a haven of calm. Birds chirp in the trees that surround the courtyard, which is paved in flagstones decorated with images of turtles and lizards. Read more

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New York Times: Technology Expands the World for African Artists

ADDIS ABABA, Ethiopia — A visit to Dawit Abebe’s painting studio on a recent morning was, to put it bluntly, a bit boring. The room, which he shares with two other artists in a nondescript building down a dirt alleyway in the center of Addis Ababa, was remarkably bare for the workplace of a successful artist: a few blank canvases stacked against the back wall and a lone, large, paint-splattered canvas on an easel. Read more